Essay: A little something to get off my chest

A few weeks ago I became incensed with the bra industry with very little provocation. I was at Target browsing the unmentionables and could only find one boulder holder that matched my personal specifications and so I decided it was a conspiracy:

“EVERYONE HATES A 36B!” I screamed in my head.

I didn’t research this theory. I was basing it solely on what this store had in stock. Plenty of bras in the 36B tier, but only one that didn’t have cups padded to resemble hockey equipment. I don’t want that. Water bras. Gel bras. I like to be able to feel if a hard boiled egg has affixed itself to my chest as I lean over a salad bar. I want my bras unpadded, demi cup with an underwire. This appears to be a lot to ask.

As you would assume from my B-level ranking, I do not have large breasts. My rib cage, however, has a decent girth. An aesthetic comparison: The whole set up is a bit like decorating a dining room table with tea candles. Adding a padded bra just makes me feel bulky and transexual.

“BRA MAKERS WANT ME TO BE ASHAMED THAT I WOULDN’T PASS THE PENCIL TEST!” I screamed in my head. “THEY WANT TO EMBARRASS ME BECAUSE I WOULDN’T FILL A CHAMPAGNE GLASS!”

Now this has become a thing. Every time I’m at Target, I wander around looking for 36Bs, nodding self-righteously when I encounter bra after bra that could easily be mistaken for knee pads.

I remember getting my first bra. I had noticed my friend Gina’s telltale straps one day at school, and went home to tell my mom the news. “Gina is wearing a training bra,” I told her. She humored my elementary school envy and took me bra shopping that weekend, picking up three trainers that looked especially cool when I wore a Polo shirt. That line across my back like a single guitar string. Turns out Gina had been wearing a slip, so the whole thing was a little premature. I remember writing in my diary a few weeks later something like: “Dear Diary, By now I have been wearing a bra for so long that I don’t even wear it anymore.”

Last weekend I was at Target, picking through the leftover Valentine’s Day lingerie and poking through lacy displays. Once again, I found just one unpadded 36B with an underwire, in black. I bought it.

I wore it for the first time on Tuesday, and on Wednesday noticed that it looked strange, broken, laying on the bedroom floor. I picked it up, fingered a flap of material that had come loose, and gasped:

A nursing bra?!

I dug the tag out of the garbage, and sure enough in fine print:
“One-hand easy release nursing closure.”

Of all the extraneous features. Of all the bizarre things for me to own. A nursing bra! I slipped it on and showed Chuck the magic trick. “And then,” I said, “Viola!”

He covered his mouth and backed away, a giant laugh about to burst to the surface.

Everyone hates a 36B.

Review: ‘American Psycho’ by Bret Easton Ellis

I went to a Super Bowl party in a friend’s basement in the early 1990s and while I don’t remember who was playing or the commercial du jour, I do remember one thing: Salsa.

We had all brought snacks and a jar of salsa had been slopped into a ceramic bowl. I probably said something like: “I love salsa salsa is so good I could eat salsa like all the time forever because yum salsa,” to which my friend Polish responded something like: “Oh yeah? I’ll give you $5 if you drink that entire bowl of your precious salsa.”

The first sip went down okay. It was salsa. Tomatoes, onions, cilantro. Not a dud in the bunch. The second sip was fine, too. But when I went in for a gigantic gulp, this bowl pressed against my face, I realized that the tomatoes were chunky and not in a pleasing way. And the onions and cilantro weren’t doing much to grease the gullet. With about one-fourth of the bowl of salsa to go, I cried “Uncle.” I couldn’t finish it for all the five dollars in the world.

And that, my friends, is exactly how I felt on about Page 327 of Bret Easton Ellis’s novel American Psycho. Seated at Subway, 6-inch BMT on Italian Herb and Cheese in one hand, fiction in the other, I cried “Uncle.” I knew exactly where Patrick Bateman, he of the titular descriptor, was taking this scene and I just couldn’t ride along with him. I’d already read a dozen ways to torture friends and strangers, severed limbs and cannibalism, random acts of violence and handled it like a champ. But this one on the horizon, if I knew Bret Easton Ellis, was going somewhere that was well beyond even my own super flexible tolerance for the lurid.

I’m an X-Gamer of reading consumption. I can handle a lot and think a lot of really sick scenes are so well-written that they cannot be dismissed just because I personally don’t think throat-slashing is any way to spend your free time. Uncle, Bret. You hear me? UNCLE! I’ve met my match in the world of disturbing sentence configurations.

I did go on to read the part in question. And it was even more horrifying than I thought it would be, but I was better prepared for it and handled it the way a tween might handle a haunted house that is on the path home from school: One hand over my eyes and running.

Going into the book, I obviously knew the gist of it. I’ve seen the movie. I love the movie. Christian Bale is a freaking genius in the movie. I’d watch it right now. About five people meet a tragic end in the movie. That’s a fraction of the tally in the book. And at no point in the movie does Patrick Bateman sever a head and then, for instance, wear it as a crotch helmet. He doesn’t gnaw on skin or paste human parts to the wall when it fails to make a decent meatloaf.

The whole thing is a story about 20-something Wall Street types in the late 1980s and the brand name-dropping, restaurant reservation-making, hardbody-chasing competitions between these interchangeable A-holes. It is probably a better Act II to Ellis’s debut Less Than Zero than the actual Act II he released in 2010, Imperial Bedrooms.

At the center of this is Patrick Bateman, an emotionless connoisseur of pop music and recording equipment, who either starts murdering people as hard as he can, or else thinks he’s murdering people as hard as he can. Either way, no one notices because everyone is too busy comparing shades of white on business cards and doing sit ups and Coke and Xanax and whatever else. And so PB loses his mind, considers faxing blood and wearing necklaces made of human vertebrae. Things get really frantic and crazed and these torture scenes are like contortionist-meets-nail gun, and then it just stops and Patrick Bateman goes on for a chapter about, for instance, Whitney Houston’s discography.

So. It’s funny. Yes, parts of American Psycho are hilarious for the over-the-top satire and juxtaposition of scenes. And parts of American Psycho are repetitious for the sake of making a point that is made until that point has dulled and then that, too, is a point. And parts of it are violence escalating into more violence which escalates into the kind of violence that it isn’t even readable. I guess that is a point, too.

My point is: I enjoyed the parts that were readable. And I finally know where my line in the macabre sand is.

This was originally posted on Minnesota Reads on February 25, 2011.

Review: ‘Just Kids’ by Patti Smith

I’ll say this for Patti Smith: Homegirl certainly knows how to write lifestyle porn.

Somewhere between the Chelsea Hotel and the insertion of a millionaire benefactor I closed her love letter to Robert Mapplethorpe, Just Kids, bonked myself in the head and said “Knock it off.” I needed to stop being dazzled and wooed and to start seeing through clear eyes or I’d wake up in a bus stop in Detroit clutching a one-way ticket to 1971.

People do that. Chuck it all, grab a blanket, commit 100 percent to making things. Music. Pictures. Words. More than just teacher-school dropout Patti Smith and Robert Mapplethrope, a skinny kid on the lam from the Catholic church.

Every day, maybe even right this second, a kid is climbing off a bus at some junction in New York City, schlepping a dirty military backpack filled with notebooks filled with poetry filled with nature imagery, A copy of Bob Dylan’s Chronicles in his back pocket. He’s got two weeks worth of dinero in a two-toned teal velcro wallet and a breathlessness about doing “whatever it takes, washing dishes, cleaning toilets as long as I can write.”

He might, like Patti Smith, sleep in a doorway or two. He might, like Patti, find a street angel who will teach him about day-old bread and primo napping places in Central Park. He might get a job at a book store; move into an extended stay hotel full of eccentrics; become a regular at corner bar. He might meet someone who is first his lover, then friend, muse and soulmate.

He’ll observe and jot and wait for a Warhol-ian figure to notice him, all while experimenting with couplets, then, perhaps free verse, then, perhaps starvation. Published in a zine. A promise for publication on a friend of a friend’s website. And after all those PB&Js, after he maybe even finds a word that rhymes with orange, maybe we’ll hear about him. We probably won’t. Maybe he’ll write a book about his soulmate and win a National Book Award.

This is in progress right now and right now and even right now.

This review was originally published at Minnesota Reads on Saturday, February 19, 2011.

Review: ‘A Heartbreaking Work of Staggering Genius’ by Dave Eggers

I read A Heartbreaking Work of Staggering Genius for the first time in 1999, and it went a little something like this: Pop rocks. Coke. Shake. Brain.

Dave Eggers’ memoir-with-benefits was this thing that totally changed my understanding of what a good book could be. So influenced was I, that it necessitated instigating a Top 5 Favorite Books list, where just having A Favorite Book, or Two Books Tied for Favorite Book, would no longer do. If I recall correctly, I ushered in Y2K with this as my answer to a question no one would ever ask me: 1. The Sun Also Rises (Hem); 2. The Great Gatsby (Fitzy); 3. A Heartbreaking Work of Staggering Genius (Eggers); 4. The Awakening (Chopin); and 5. The Edible Woman (Atwood).

In the past decade, I’ve never really monkeyed with that list. I could probably still defend my picks in front of a jury of my peers, although I can’t say I’d make the same list right now. But I wouldn’t make a list right now because I’ve probably read like 600-plus books since I was 24, and to sort them would be akin to having a freshly sharpened axe driven into my skull by the Strongest Human Being in All of the Land.

Every other book on that list had been subject to a re-read, and in some cases re-(to the nth power)read. But I dared not touch the Eggers again. Until now. My boyfriend listened to it recently, was chuckling over some Eggers family hilarity, then picked me up a copy from the library.

I expected this to be spiritual. Like eight hours alone in the attic of your youth, flipping pages of a yearbook and trying on the old letter jacket. If the song “Mambo No. 5″ still smells like August on a highway cutting through Durango, Colorado to me, imagine the power of the words from one of my favorite books in conjuring up some residual 20-something bullshit.

Yeah. Nada.

The reading public’s introduction to the future Mr. McSweeney’s was this: The story about how Eggers parents both died of cancer within a few months of each other when he was in his early 20s, leaving behind an elementary school-aged blank slate for Eggers, etc. to raise. Dave and young Toph Eggers make a dynamic duo, technically a father-ish kinda-son relationship, that leans more big brother buddy and little dude.

Eggers runs a tight ship: No one swears around Toph. But they also consider the slide-ability of the hard-wood floors when rating an apartment. There is wrestling. There is Frisbee. There are massive freak outs when Toph has his first non-Eggers babysitter, or isn’t at the right door when Dave picks him up after a bar mitzvah. There are tender hair tousles, and cute insults. And the whole thing makes you wish that you had a supercool older brother who had taken you into his tutelage and taught you how to be hilarious. Or that you had your own blank slate to teach the trick involving the 360 degree spin before catching the disc.

In the meantime, it’s about being a 20-something in the 1990s and having friends, ideas, dreams, world domination fantasies, and connections to Adam Rich of “Eight is Enough.” Not to mention the fun cult ref drops like Vince Vaughn (Eggers went to high school with him), Puck and Judd from “The Real World: San Francisco” (Eggers was a finalist for a part as one of the seven strangers who would learn what it’s like when people stop being polite … and start being real).

Reading this book 10 years later is like reading one of those letters you write to yourself when you are a senior in high school. “Dear Christa … By now you have probably written a trilogy of bestsellers that not only have a strong mainstream presence, but are also critically acclaimed by book snobs everywhere.”

Except this is Eggers’ measuring stick. “By now you will do exactly what you wanted to do … create a website that appeals to literary sorts, publish a handful of novels, and have a sort of celebrity that is uncommon to people who work with words.” And now Toph is in his mid-20s, and highly Google-able for his own projects. Instead of a book about big plans, it is his to-do list, and he has done a remarkable job of emptying it.

It’s like his journal of non-embarrassing things. Which is a far better thing than if this book had sent me sailing back to 1999, which would have been a headache teeming with embarrassing things.

This review originally ran on Minnesota Reads on October 21, 2010.

Essay: I am trying to break your heart

I never guessed I’d feel relief. It didn’t last long. Commercial-length maybe. Enough time to identify the lightened load, the proverbial “no pain … better place,” and then question the appropriateness of that relief. I had visualized every step of the process. From scooping Toonses up and carrying him to the car, to handing his lifeless body to someone in a lab coat. But never once did I consider the two-minute sigh of relief that it was over. No more of whatever had eaten at his brain, and turned him from a clumsy dog-ish character into an invalid over the course of a few days.

Of course, that feeling didn’t last long. But it was there, like a giggle at a funeral.

***

We started carrying him places at the end of last week. Chuck would come down stairs with Toonses draped over his arm like a red fur stole. I carried him back upstairs to his beloved spot on a blanket in the closet. His body, 10 pounds lighter during his illness, dangling and weak. A single paw grabbing at nothing, trying to fill his broken-brain compulsion to spin right, even in mid-air.

I began wishing he would just die.  Lay down in a cozy space, roll your tiny cat head into your chest, and fall asleep forever. Please. And, extra credit, let Chuck find him.

The alternative made me sick: Wrapping him in a Steve Urkle sleeping bag, driving down the street to the vet knowing that I’d be leaving him. The fatal shot. His body going slack.But first, him looking up at me, his green eyes darkened and sad. Coming home with just an empty blanket. His little cat dish half full. His abandoned litter box. The layer of fur on his favorite surfaces, and redish lint balls caught in corners behind doors.

On Friday night I lifted him into his litter box. He tipped on his side, unable to stand. A bath in sandbox. A stream of pee wetting his fur, the dribbles of a leaky faucet, following by contractions of fur as he pushed out three small turds. First I wailed, then I bawled. His eyes were vacant and dark. I lifted him out, and carried him back upstairs. Then I watched him for the rest of the night.

On Saturday I got out of the bathtub and accidentally waded through a river of cat urine on the kitchen floor. I went back to the tub to wash my feet. An hour later, he had shit in the same spot.

A Facebook friend had written about how they were going to have to put their cat to sleep. They were indulging him in his final days. I imagined cozy laps, loving strokes, shared licks from their ice cream cone. Some final family photos, and all the things they wished they had said.

“Us,too,” I wanted to write. “Except he won’t eat or drink, so his final wish is to use the kitchen floor as his litter box. We’re letting him. It’s the least we can do.”

I wasn’t sure if this was crass, so I deleted it. Wrote it again. Deleted it again. Got off Facebook.

It was impossible to have a conversation without mentioning him. On Saturday night I reluctantly stopped by a party. The whole time I was worried Sir Spinner would loop toward the steps and fall. A furry Slinkie. I’d come home to find his neck broken, his tongue lolling out of his backward head. I updated a handful of friends who were sitting at a dining room table. The circles. The shit. Won’t eat. My nose felt like I’d snorted ginger ale. My eyes leaked.

“It’s so sad,” JCrew said. “I mean he’s been in your life for so lo-”
“Hey!” I said. Reached for a peanut butter and chocolate Rice Krispie bar.
“Oh, right,” she said.
My throat bulged. I drank a beer. I left soon after that.

In a spare bedroom above the living room, Toonses clacked around in circles. His nails clicking against the hard wood floors. He sounded like a marching band of Gremlins. All night long. Down the hall to another room. Circling. Sometimes stopping when he tipped over, dizzy.

I feel asleep to the sound of this, this metronome, in the room next door. i kept thinking of the cat from “Pet Semetary.” Church. What if Toonses went evil. Used his artificial steroid strength for a killing spree? Pounced in the bed, took a chunk of cheek off my face?

On Sunday I removed one of his paws from where it was tangled in the loop handle of a shopping bag from DSW. Two minutes later, he had gotten stuck mid-torso in the coffee table. He made for the wires behind the TV/TiVo/DVD player set up, and I intercepted him. He put a paw on the bottom step, tipped over. Looked at me, exhausted. He ran into the cupboards. He crunched into a grocery sack. He screamed, maybe finally in pain. Maybe finally alert enough to realize he was frustrated. There was a whole life of things to the left that he was unable to experience. He fell asleep on a grey slouchy boot.

“Are you going to get another cat?” I was asked by an acquaintance. “When our cat died, we got a new one 10 days later.”
“No,” I said.
“It made things a lot easier,” she said.
“No,” I responded.

I’m not a cat lover. I am a this cat specific lover. Just this one. This vocal, opinionated misanthrope whose personality so perfectly matched ours. Not so much a pet as a roommate. The way he bounded down the steps like a teen-aged girl when he heard us come home. How we had to fight him for the best spot on the couch. The way we could tell he hated our former downstairs neighbor, seemingly rolling his eyes in  unison with our complaints. He was always slightly more dog. Social, and anti-social. Nocturnal. Laughed awkwardly when he heard the neighborhood cats mating, like a pre-teen who accidentally sees a sex scene while watching a movie with his parents. Afraid of grass and thunder storms. Judged us when we were drunk.

I’d chase him around the apartment.
“What are you doing?” Chuck asked.
“I want to hold him!” I screeched.
“Why?” he asked.
“HE’S MY PET,” I croaked.

“The people seem to have gotten into the crazy juice again,” Chuck imitating Toonses’ cat voice.

When we moved into this house, Chuck took an extra cardboard box and cut half an oval into it. A giant mouse hole, like something from “Tom & Jerry.” He wrote “Toonses” over the door with a Sharpie. On Sunday night I went to check on the little guy, and he had curled up in that box. And that right there was the steel toed boot to the diaphragm moment.

***

I couldn’t breathe Monday morning. As expected, Toonses doused my leg in the car. A sadistic sort of last rites. When we got to the vet’s office, I tried to face the wall instead of being the snot-soaked reminder to the other people in the lobby that this gig, this pet ownership thing, never has a happy ending. Never. One woman couldn’t stop staring. Her husband had a pig on a leash. I turned around again.

We went into a small room in the back of the office. The doctor came in, shaved Toonison’s little left arm, and injected him. Within seconds, his heart had stopped.

“He’s gone,” the doctor said. “You can stick around as long as you want …”
I handed him over, and we were ushered out a back door.

***

Toonses loved to watch figure skating. Once ate a pair of glittery Sam & Libby sandals. I bought a replacement pair; He ate those, too. Became obsessed with a sequin scarf, which he dragged around for days like it was his best friend. Hated the Velvet Underground and The Postal Service, growled when we played these records. He went Sonny Liston on Chuck’s dad’s yappy dog, once. They had to hide Penny in the bathroom for her own safety. Celebrity doppelganger: Garfield. But more like Marmeduke. A clumsy little fucker. Especially for a cat.

He purred constantly. Every second. Always. A constant happy throaty vibration. Even in those last three days.

This was originally posted on my blog on October 7, 2010.

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