Bits: Hall & Oates: ‘We are victims of rickrolling’

Celebrated 1970s-80s pop duo Daryl Hall and John Oates met with elementary school-aged children in Austin, Minn., on Friday with what appeared to be a desperate plea:

“You have the Internet here. Put us on it,” whispered Oates, his Tom Selleck-ian facial hair worming dangerously close to a the ear of a third-grade boy.

The rock and soul’ers, as famous for their frothy follicles as their so-gay-its-almost-Swedish looking album covers, are visiting playgrounds and computer camps in support of their recently released 74-track, 4 CD box set “Do What You Want, Be What You Are.”

It is a perceived slighting at the helm of this unconventional tour.

“We feel that we are the true victims of the rickrolling phenomenon,” Hall explained. “That joke should have been about us.  ‘Maneater’ gets to the heart of rickrolling in a way that ‘Never Going to Give You Up’ ever will. In fact, most of our discography is way more hilarious than anything that … that … Englishman ever wrote.”

“I mean, have you people ever heard the song ‘Private Eyes’?” Oates asked dramatically, wiping his hands on his spandex-covered thighs.

Rickrolling is a bit of Internet hilarity that surfaced in 2007 in which a seemingly innocuous Web link redirects surfers to a video for the 1987 pop hit by Rick Astley. The meme has made Astley wildly popular with children who were likely conceived while that song was playing.

The 300 students shifted uncomfortably. One looked to his teacher and whispered “If they offer me candy, I should say ‘no,’ right?” His teacher nodded and shushed the tot.

“Please right this wrong,” Oates appealed to the children. “When you get home from school, find a way to surreptitiously link to one of our songs on You Tube. … ‘Rich Girl’ or ‘You’re Kiss is on My Lips’ are good picks for this sort of thing.”

“And when someone asks you what you’re doing, say something like ‘Ha! You just got Hall’ed,” Hall said excitedly.

” Oates. Oates-rolled. Rolled Oates,” Oates corrected his longtime partner.

“It’s Hall’ed. But whatever. It’s going to be huge,” Hall said. “And we’re giving you the chance to start it.”

Originally posted October 26, 2009 on Schadenfreude.

‘Tommy’ rocks at Renegade

The stage at Teatro Zuccone has been painted with a red, white and blue bull’s-eye — the signature of the 1970s rock band The Who. The set is framed with metal trellises, and motion-activated lights slice the scenes. A drum kit in an acoustic-deadening Plexiglas cage sits at stage right, a pinball machine at stage left.

During a recent rehearsal, a woman in fishnets and heavy makeup dashes on and off stage.

With Renegade Theater Company’s production of “Tommy,” which opens at 8 p.m. today, the troupe is looking for a crossover classic: a rock musical heavy with the feel of a live concert for the music heads; something innovative and dramatic for the theater geeks. There isn’t a lot of crossover between these factions, director Andy Bennett said he noticed during Homegrown Music Festival.

“They’re both passionate, but it’s different fan bases,” he said. “We’re hoping this is a bridge.”

“Tommy” was written by Pete Townshend and Des McAnuff and is based on The Who’s 1969 double-album rock opera. It is the story of a young boy — Tommy (played by Adam Sippola) — who watches in a mirror as his father kills his mother’s lover, rendering the boy blind, deaf and dumb. The dark story includes molestation at the hands of his Uncle Ernie (played by Jody Kujawa, whose head has been shaved to ape male-pattern baldness), and the eventual realization that he is a bit of a pinball kingpin.

And there is lots and lots of rock ’n’ roll. The 90-minute production has about five minutes of straight dialogue.

“This is the only rock musical that rock music fans would want to go to,” said Evan Kelly, who plays the camouflage-clad Captain Walker.

Full story here.

Originally published June 4, 2010 in the Duluth News Tribune.

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